Dr Anna Madeleine Raupach
Areas of expertise
- Visual Arts 3606
- Digital And Electronic Media Art 360503
- Interactive Media 360504
- Screen Media 360505
- Photography, Video And Lens Based Practice 360604
- Communication Technology And Digital Media Studies 470102
- Media Studies 470107
- Environment And Culture 470209
- Screen And Media Culture 470214
Research interests
- Interdisciplinary practice-led research
- Experimental drawing
- Moving image
- Mixed reality
- Interactive installation
- Communication technologies
- Time studies
- Critical plant theory
Biography
Anna Madeleine Raupach is a multidisciplinary Australian artist and a 2024 Fulbright Scholar at the University of Southern California’s School of Cinematic Arts. She is a Lecturer at the Australian National University School of Art & Design with a PhD in Media Arts from the University of New South Wales (2014). She has developed cross-disciplinary projects through residencies with the Australian Network for Art and Technology, 2022; Powerhouse Museum, Sydney, 2019; Cité Internationale des Arts, Paris, 2018; and Common Room Network Foundation, Bandung, 2017, resulting in digital and physical artworks that are exhibited internationally in solo and group exhibitions.
Researcher's projects
Research grants
2024: Fulbright Scholar Award hosted by the Expanded Animation Program, School of Cinematic Arts, University of Southern California.
2022: Australian Network for Art & Technology Synapse Residency with ANU Research School of Astronomy & Astrophysics, Mt Stromlo Observatory
2021: Artwork commission, ‘Exploring Botanic Gardens Herbarium’s value via Environmental Aesthetics’, ARC Linkage project LP190100069, UNSW and Royal Botanic Gardens Herbarium Sydney
2021: Co-Investigator, ‘Home Economix: A Lab for Decentralising Public and Community Art Through Domestic Spaces’, Australia Council for the Arts
2021: Project Funding Grant, ArtsACT
2020: Co-Investigator, ‘Natural Markers for AR using Trees’, Epic Games Megagrant
2020: Project Funding Grant, ArtsACT
2018: Project Grant funding, Ian Potter Cultural Trust
2016: Project Funding Grant, ArtsACT
Fellowships and Residencies
2019: Research fellowship, Museum of Applied Arts & Sciences, Sydney
2018: Art Gallery of NSW Moya Dyring Memorial studio scholarship at Cité Internationale des Arts, Paris
2018: Studio Residency, Bundanon Trust, NSW
2017: Asialink Arts Residency, Common Room Networks Foundation, Bandung, Indonesia ($10,000)
2016: Visiting artist/scholar, Division of Animation and Digital Arts, School of Cinematic Arts, University of Southern California
2016: Vice Chancellor’s Creative Visiting Artist Fellowship Scheme, ANU Medical School
2012: Residency, ARC Centre of Excellence for Free Radical Chemistry and Biotechnology, University of Melbourne
2011: Studio Residency, CTRLlab, Montreal
2011: Studio Residency, Kala Arts Institute, California
2010: Studio Residency Program, Sydney Artspace, NSW
2010: Splendid Arts Lab, Lismore Regional Gallery, NSW
Solo Exhibitions
2023: Signal to Noise, Canberra Contemporary Art Space
2022: Vivid Frequencies, Mount Annan Botanic Gardens, NSW
2022: Too Late to Leave, Galerie pompom, Sydney
2021: Unequal Hours, Canberra Museum and Gallery
2017: The Other North, Orbital Dago, Bandung, Indonesia
2016: Currents, Canberra Contemorary Art Space
2016: Inheritance, LAB-14 Gallery, Melbourne
2015: Collecting a Hemisphere, Mils Gallery, Sydney
2015: Short Loops, CHASM Gallery, New York
2014: Crossed Wires, 107 Projects, Sydney
Collaborative Exhibitions
2020: Climate Sign Archive project launch, ANU School of Art & Design Project Space
2018: Emotions Invented by the Internet (collaboration with Jessica Herrington), Verge Gallery, Sydney
2017: One Last Call (collaboration with Dr. Renee Beale), Kathleen Syme Library and Community Centre, Melbourne
Selected Group Exhibitions
2023: FLIGHT, curated by Luke Létourneau, Casula Powerhouse Arts Centre, Sydney.
2021: Heat Map, curated by Saskia Scott, Watch This Space, Alice Springs
2019: Langit Untuk Semua (Sky for All), Gedung Istora, National Culture Week Jakarta
2018: Siteworks, Bundanon Trust, NSW
2018: Contour 556, curated by Neil Hobbs, Canberra
2017: Exploration 17, Flinders Lane Gallery, Melbourne
2016: SafARI, co-curated by Louise Dibben and Sophie Kitson, Kudos Gallery, Sydney
2016: Sign O' the Times, curated by Kirsten Rann, Not Fair Art Fair, Melbourne
2016: Knots & Nerves, M16 Artspace, Canberra
2015: Considered, M. Contemporary, Sydney
2015: The Dreams Our Stuff is Made Of, curated by Jonathan McBurnie, Verge Gallery, Sydney
2015: Light Speculation, curated by Dr. Renee Beale, Lab-14 Gallery, Melbourne
2014: Art in Chemistry, Chemistry in Art, Royal Society of Chemistry, London
2014: Enlighten Festival, architectural projection on the National Library of Australia, Canberra
2014: Insight Radical (touring exhibition): Griffin Gallery, London, MCLEMOI Gallery, Sydney, RiAus Gallery, The Science Exchange, Adelaide
Awards and Prizes
2022: The Mandy Martin Art and Environment Award, Capital Arts Patrons’ Organisation and ClimARTE
2021: Finalist, Ramsay Art Prize, Art Gallery of South Australia
2021: Finalist, Blake Prize, Casula Powerhouse
2021: Finalist, Waterhouse Natural Science Art Prize, South Australian Museum
2019: Finalist, Footscray Art Prize
2018: Finalist, Waterhouse Natural Science Art Prize, South Australian Museum
2017: Finalist, Banyule Works on Paper Award
2017: Longlisted, Aesthetica Art Prize
2017: Finalist, Footscray Art Prize
2017: Capital Arts Patrons’ Organisation Award, $1,000.
2016: Finalist, Churchie National Emerging Art Prize
2015: Finalist, Chippendale New World Art Prize
2012: Finalist, 37th Alice Prize for Contemporary Art
2010: Qantas Foundation Art Award
Conference papers
2023: "Art and Astronomy: Image Making and Orbital", From the Universe Back to Earth: Developing Astronomy to Meet Today’s Natural Challenges, Institut Teknologi Bandung, Indonesia, online.
2021: "Augmented tree rings: visualising layers of time in environmental bioindicators”, Climate Change Temporalities, University of Bergen, Norway, online
2021: “Unequal Hours: Entangled temporalities in kinetic art”, The Material Life of Time, International Temporal Belongings conference, online
2019: “Temporal hybrids: using augmented reality to re-imagine the affordances of natural objects”, International Symposium for Electronic Arts, Gwangju, South Korea
2018: “Experimental animation as science communication:abstract temporalities in virtual and augmented reality”, Society of Animation Studies 'Then | Now | Next' Conference, Concordia University, Montreal
2013: “An Animated Space: Personal Expression In Mobile Communication”, Society of Animation Studies 'Re-Defining Animation' Conference, University Of Southern California, Los Angeles
Seminars and panels
2023: Panelist, “Echo and Diffraction: The Speculative trace in reprographic processes”, Art Association of Australia & New Zealand (AAANZ) conference, Griffith University
Chair, “Drawing the World: Documentary to Discover”, Conversations and Connections Documentary Festival, Macquarie University
2022: Panelist, “Space in cinema, arts and media”, Space Imaginaries Symposium, Sydney Science Festival presented by the Powerhouse Museum
2021: Panelist, “Creative and Critical Practices around Museum Technology Collections”, Art Association of Australia & New Zealand (AAANZ) conference, online
2021: Co-organiser and invited speaker, “Art, Science & Technology: A New Creative Field”, ANU-ITB joint seminar
2021: Panelist, “Keeping it together: Creative Recovery and Resilience Forum, University and ArtsACT, online2020: Invited speaker, CoDesign Culture Lab Creativity & Collaboration Summit, Kambri, Canberra
2020: Invited speaker, “Research Roadshow: History and Legacies of Environmental Violence”, ANU.
2020: Panelist, Here We Are: A Gender Institute Celebration of Women and the Arts, ANU.
2019: Invited speaker, CoDesign Culture Lab Creativity & Collaboration Summit, ANU.
2019: Invited speaker, “Langit Untuk Semua (Sky for All)”, National Culture Week, Jakarta
2019: Invited speaker, “Digital + Place: Symposium of Digital Art, Design and Digital Humanties”, ANU.
Publications
- Raupach, A 2020, 'Seen, not measured: Relocating drawing within astronomical observations', Drawing: research, theory, practice, vol. 5, no. 2, pp. 277-290.
- Raupach, A 2019, 'Realignment', Revue VIH/SIDA, Droit et Politiques, no. 2, pp. 24-26.
- Raupach, A 2019, 'Temporal hybrids: using augmented reality to re-imagine the affordances of natural objects', 25th International Symposium on Electronic Art (ISEA 2019), ed. Juyong Park, Juhan Nam & Jin Wan Park, ISEA International, Seoul, Korea, pp. 504-507.
- Raupach, A 2018, 'Re-animating Climate Change: Abstract Temporalities in Augmented Reality', Transformations, no. 32, pp. 125-143.
- Raupach, A M 2016, Beautiful Collision: 'Borland + Borland' at Canberra Glassworks, Art Monthly Australasia, Issue 288, pp. 50-51.
- Raupach, A M 2016, Creative Industry: Matt Ellwood Interrogates Art & Fashion, Art New Zealand, Number 158, pp. 60-63.
- Raupach, A M 2015, Leslie Rice, Artist Profile, Issue 31, pp. 98-101.
- Raupach, A M 2015, Tamara Dean, Artist Profile, Issue 32, pp. 68-74.
- Raupach, A M 2014, Paul Snell, Artist Profile, Issue 29, pp. 96-100.
- Raupach, A M 2014, Paula do Prado, Artist Profile, Issue 27, pp. 94-99.
- Raupach, A M 2013, Australia in the UK, Artist Profile, Issue 24, pp. 116-118.
- Raupach, A M 2013, Charles Green & Lyndell Brown, Artist Profile, Issue 23, pp. 142-143.
- Raupach, A M 2013, Kiki Smith, Artist Profile, Issue 22, pp. 92-96pp.
- Raupach, A M 2013, Tony Garifalakis, Artist Profile, Issue 25, pp. 64-49.
- Raupach, A M 2012, Jumaadi, Artist Profile, Issue 21, pp. 72-76.