Dr Anna Madeleine Raupach
Areas of expertise
- Electronic Media Art 190203
- Visual Arts And Crafts 1905
Research interests
- Interdisciplinary practice-led research
- Experimental drawing
- Moving image
- Mixed reality
- Interactive installation
- Mobile communication technologies
- Time studies
- Critical plant theory
Biography
Anna Madeleine Raupach is an artist working in drawing, experimental animation, augmented reality (AR) and interactive installation. She completed her PhD in media arts at UNSW Art and Design in 2014, and graduated with honours in Photography & Media Arts from ANU School of Art & Design in 2007. Her practice explores time and mapping, with a current focus on reimagining abstract notions of temporality relevant to climate change.
Anna has a PhD in Media Arts from UNSW Art & Design (2014) and a Bachelor of Visual Arts (Honours) from ANU School of Art & Design (2007), where she holds a Lecturer position. She has had solo exhibitions in New York, Melbourne, Sydney, Canberra, Montreal and Bandung and has been awarded international residencies at the Cité Internationale des Arts, Paris, through the Art Gallery of NSW (2018); Common Room Network Foundation, Indonesia, with Asialink Arts (2017); and the University of Southern California, supported by ArtsACT. Across Australia she has participated in exhibitions at Verge Gallery (Sydney), Bundanon Trust (NSW), Watch This Space (Alice Springs), Flinders Lane Gallery and Art+Climate=Change (Melbourne). Her work has been selected for prizes including the Ramsay Art Prize (2021), Blake Prize (2020), Waterhouse Natural Science Art Prize (2020) and the Churchie Emerging Arts Prize (2016).
Researcher's projects
Solo Exhibitions
2022: Vivid Frequencies, Mount Annan Botanic Gardens, NSW
2022: Too Late to Leave, Galerie pompom, Sydney
2021: Unequal Hours, Canberra Museum and Gallery
2017: The Other North, Orbital Dago, Bandung, Indonesia
2016: Currents, Canberra Contemorary Art Space
2016: Inheritance, LAB-14 Gallery, Melbourne
2015: Collecting a Hemisphere, Mils Gallery, Sydney
2015: Short Loops, CHASM Gallery, New York
2014: Crossed Wires, 107 Projects, Sydney
Collaborative Exhibitions
2020: Climate Sign Archive project launch, ANU School of Art & Design Project Space
2018: Emotions Invented by the Internet (collaboration with Jessica Herrington), Verge Gallery, Sydney
2017: One Last Call (collaboration with Dr. Renee Beale), Kathleen Syme Library and Community Centre, Melbourne
Selected Group Exhibitions
2023: FLIGHT, curated by Luke Létourneau, Casula Powerhouse Arts Centre, Sydney.
2021: Heat Map, curated by Saskia Scott, Watch This Space, Alice Springs
2019: Langit Untuk Semua (Sky for All), Gedung Istora, National Culture Week Jakarta
2018: Siteworks, Bundanon Trust, NSW
2018: Contour 556, curated by Neil Hobbs, Canberra
2017: Exploration 17, Flinders Lane Gallery, Melbourne
2016: SafARI, co-curated by Louise Dibben and Sophie Kitson, Kudos Gallery, Sydney
2016: Sign O' the Times, curated by Kirsten Rann, Not Fair Art Fair, Melbourne
2016: Knots & Nerves, M16 Artspace, Canberra
2015: Considered, M. Contemporary, Sydney
2015: The Dreams Our Stuff is Made Of, curated by Jonathan McBurnie, Verge Gallery, Sydney
2015: Light Speculation, curated by Dr. Renee Beale, Lab-14 Gallery, Melbourne
2014: Art in Chemistry, Chemistry in Art, Royal Society of Chemistry, London
2014: Enlighten Festival, architectural projection on the National Library of Australia, Canberra
2014: Insight Radical (touring exhibition): Griffin Gallery, London, MCLEMOI Gallery, Sydney, RiAus Gallery, The Science Exchange, Adelaide
Fellowships and Residencies
2022: Australian Network for Art & Technology Synapse Residency with ANU Research School of Astronomy & Astrophysics, Mt Stromlo Observatory
2019: Research fellowship, Museum of Applied Arts & Sciences, Sydney
2018: Art Gallery of NSW Moya Dyring Memorial studio scholarship at Cité Internationale des Arts, Paris
2018: Studio Residency, Bundanon Trust, NSW
2017: Asialink Arts Residency, Common Room Networks Foundation, Bandung, Indonesia ($10,000)
2016: Visiting artist/scholar, Division of Animation and Digital Arts, School of Cinematic Arts, University of Southern California
2016: Vice Chancellor’s Creative Visiting Artist Fellowship Scheme, ANU Medical School
2012: Residency, ARC Centre of Excellence for Free Radical Chemistry and Biotechnology, University of Melbourne
2011: Studio Residency, CTRLlab, Montreal
2011: Studio Residency, Kala Arts Institute, California
2010: Studio Residency Program, Sydney Artspace, NSW
2010: Splendid Arts Lab, Lismore Regional Gallery, NSW
Awards and Prizes
2022: The Mandy Martin Art and Environment Award, Capital Arts Patrons’ Organisation and ClimARTE
2021: Finalist, Ramsay Art Prize, Art Gallery of South Australia
2021: Finalist, Blake Prize, Casula Powerhouse
2021: Finalist, Waterhouse Natural Science Art Prize, South Australian Museum
2019: Finalist, Footscray Art Prize
2018: Finalist, Waterhouse Natural Science Art Prize, South Australian Museum
2017: Finalist, Banyule Works on Paper Award
2017: Longlisted, Aesthetica Art Prize
2017: Finalist, Footscray Art Prize
2017: Capital Arts Patrons’ Organisation Award, $1,000.
2016: Finalist, Churchie National Emerging Art Prize
2015: Finalist, Chippendale New World Art Prize
2012: Finalist, 37th Alice Prize for Contemporary Art
2010: Qantas Foundation Art Award
Research grants
2021: Artwork commission, ‘Exploring Botanic Gardens Herbarium’s value via Environmental Aesthetics’, ARC Linkage project LP190100069, UNSW and Royal Botanic Gardens Herbarium Sydney
2021: Co-Investigator, ‘Home Economix: A Lab for Decentralising Public and Community Art Through Domestic Spaces’, Australia Council for the Arts
2021: Project Funding Grant, ArtsACT
2020: Co-Investigator, ‘Natural Markers for AR using Trees’, Epic Games Megagrant
2020: ANU Gender Institute grant funding
2020: Project Funding Grant, ArtsACT
2018: Project Grant funding, Ian Potter Cultural Trust
2016: Project Funding Grant, ArtsACT
2015: New South Wales Artists’ Grant, National Association for the Visual Arts
Conference papers
2021: "Augmented tree rings: visualising layers of time in environmental bioindicators”, Climate Change Temporalities, University of Bergen, Norway, online
2021: “Unequal Hours: Entangled temporalities in kinetic art”, The Material Life of Time, International Temporal Belongings conference, online
2019: “Temporal hybrids: using augmented reality to re-imagine the affordances of natural objects”, International Symposium for Electronic Arts, Gwangju, South Korea
2018: “Experimental animation as science communication:abstract temporalities in virtual and augmented reality”, Society of Animation Studies 'Then | Now | Next' Conference, Concordia University, Montreal
2013: “An Animated Space: Personal Expression In Mobile Communication”, Society of Animation Studies 'Re-Defining Animation' Conference, University Of Southern California, Los Angeles
Seminars and panels
2022: Panelist, “Space in cinema, arts and media”, Space Imaginaries Symposium, Sydney Science Festival presented by the Powerhouse Museum
2021: Panelist, “Creative and Critical Practices around Museum Technology Collections”, Art Association of Australia & New Zealand (AAANZ) conference, online
2021: Co-organiser and invited speaker, “Art, Science & Technology: A New Creative Field”, ANU-ITB joint seminar
2021: Panelist, “Keeping it together: Creative Recovery and Resilience Forum, University and ArtsACT, online2020: Invited speaker, CoDesign Culture Lab Creativity & Collaboration Summit, Kambri, Canberra
2020: Invited speaker, “Research Roadshow: History and Legacies of Environmental Violence”, ANU.
2020: Panelist, Here We Are: A Gender Institute Celebration of Women and the Arts, ANU.
2019: Invited speaker, CoDesign Culture Lab Creativity & Collaboration Summit, ANU.
2019: Invited speaker, “Langit Untuk Semua (Sky for All)”, National Culture Week, Jakarta
2019: Invited speaker, “Digital + Place: Symposium of Digital Art, Design and Digital Humanties”, ANU.
Publications
- Raupach, A 2019, 'Realignment', Revue VIH/SIDA, Droit et Politiques, no. 2, pp. 24-26.
- Raupach, A 2019, 'Temporal hybrids: using augmented reality to re-imagine the affordances of natural objects', 25th International Symposium on Electronic Art (ISEA 2019), ed. Juyong Park, Juhan Nam & Jin Wan Park, ISEA International, Seoul, Korea, pp. 504-507.
- Raupach, A 2019, Augmented tree-rings.
- Raupach, A 2018, 'Re-animating Climate Change: Abstract Temporalities in Augmented Reality', Transformations, no. 32, pp. 125-143.
- Raupach, A 2018, Sediments.
- Raupach, A 2018, Second Nature.
- Raupach, A 2018, Pranatamangsa AR.
- Raupach, A 2017, The Other North.
- Raupach, A 2016, Submarine Cable Map.
- Raupach, A M 2016, Beautiful Collision: 'Borland + Borland' at Canberra Glassworks, Art Monthly Australasia, Issue 288, pp. 50-51.
- Raupach, A M 2016, Creative Industry: Matt Ellwood Interrogates Art & Fashion, Art New Zealand, Number 158, pp. 60-63.
- Raupach, A M 2015, Leslie Rice, Artist Profile, Issue 31, pp. 98-101.
- Raupach, A M 2015, Tamara Dean, Artist Profile, Issue 32, pp. 68-74.
- Raupach, A M 2014, Paul Snell, Artist Profile, Issue 29, pp. 96-100.
- Raupach, A M 2014, Paula do Prado, Artist Profile, Issue 27, pp. 94-99.
- Raupach, A M 2013, Australia in the UK, Artist Profile, Issue 24, pp. 116-118.
- Raupach, A M 2013, Charles Green & Lyndell Brown, Artist Profile, Issue 23, pp. 142-143.
- Raupach, A M 2013, Kiki Smith, Artist Profile, Issue 22, pp. 92-96pp.
- Raupach, A M 2013, Tony Garifalakis, Artist Profile, Issue 25, pp. 64-49.
- Raupach, A M 2012, Jumaadi, Artist Profile, Issue 21, pp. 72-76.