Professor Ari Larissa Heinrich
Biography
Ari Larissa Heinrich is a scholar and critic who writes about contemporary visual cultures from China, Taiwan, and Hong Kong, with a focus on experimental works that employ biological materials like body parts, pathological specimens, and organic chemicals. He has published widely on Chinese and transnational visual cultures, on medical illustration, and on queer theory, and is also known for his translations of key works of queer literature from Taiwan in the late 20th century. He teaches experimental art writing, queer and speculative fiction, and Chinese Studies—as well as the intersections thereof—and has lectured on topics ranging from the history of medical photography to the exhibition of Chinese cadavers in internationally circulating anatomical displays. Ari is the recipient of an ARC Future Fellowship (2012) and a Creative Capital/Andy Warhol Foundation Arts Writers Grant (2019).
Publications
- Heinrich, A 2020, Imagining More Transgender Visibility in Translation: A Conversation with Ari Larissa Heinrich. Interview with Veronica Esposito in World Literature Today.
- Heinrich, A 2020, 'Before coronavirus, China was falsely blamed for spreading smallpox. Racism played a role then, too', in The Conversation.
- 'New Preface to The Afterlife of Images, in Luan Zhichao (trans.), Tuxiang de laishi: Guanyu dongya bingfu keban yingxiang de zhongxi zhuanyi, 2020. ISBN 978-7-108-06882-8 [Chinese translation of The Afterlife of Images: Translating the Pathological Body Between China and the West, Ari Larissa Heinrich (Duke, 2008), with a new preface, Beijing: SDX Joint Publishing, September 2020, ISBN 978-7-108-06882-8.]
- Heinrich, A 2020, 'A Carnival of Ghosts: A Transcript of a Student Film by Qiu Miaojin'. Special Issue of HKRB.
- Heinrich, A 2018, Chinese Surplus: Biopolitical Aesthetics and the Medically Commodified Body, Duke University Press, Durham.
- Heinrich, A 2018, 'Review of Aloi, Giovanni, Speculative Taxidermy: Natural History, Animal Surfaces, and Art in the Anthropocene', Journal of the History of Biology, vol. 52, pp. 353-355.
- Heinrich, A 2018, 'Review of Hongwei Bao, Queer Comrades: Gay Identity and Tongzhi Activism in Postsocialist China', Modern Chinese Literature and Culture, vol. online.
- Heinrich, A 2018, 'Applied Co-Enmeshment'. Recess Art Critical Writing Fellowship component of Jes Fan exhibit.
- Heinrich, A 2017, 'Review of Christos Lynteris, Ethnographic Plague: Configuring Disease on the Chinese-Russian Frontier', Asian Medicine, vol. 13, pp. 1-42.
- Heinrich, A 2017, Review of Consider the Crocodile: Qiu Miaojin's Lesbian Bestiary. Los Angeles Review of Books (LARB) pp. online.
- Heinrich, A 2016, 'Body as Phenomenon: A Brief Survey of Secondary Literature of the Body in Modern Chinese Literature and Culture', in Yingjin Zhang (ed.), A Companion to Modern Chinese Literature, Blackwell Publishing, West Sussex, pp. 424-433.
- Heinrich, A & Dowd, E 2016, 'In Memoriam to Identity: Transgender as Strategy in Qiu Miaojin's Last Words from Montmartre', TSQ: Transgender Studies Quarterly, vol. 3, no. 3, pp. 569-577.
- Heinrich, A 2014, '"A Volatile Alliance": Queer Sinophone synergies across literature, film, and culture', in Howard Chiang & Ari Larissa Heinrich (ed.), Queer Sinophone Cultures, Routledge, London, London, pp. 3-16.
- Wai-Siam, H & Heinrich, A 2014, 'Desire Against the Grain: Transgender Consciousness and Sinophonicity in the Films of Yasmin Ahmad', in Howard Chiang & Ari Larissa Heinrich (ed.), Queer Sinophone Cultures, Routledge, London, London, pp. 179-200.
- Chiang, H & Heinrich, A, eds, 2014, Queer Sinophone Cultures, Routledge, London, London.
- Heinrich, A 2014, 'Afterword to Last Words from Montmartre - 'Artifacts of Love: Qiu Miaojin's Life and Letters'. New York Review Books.
- Heinrich, A 2014, 'Last words from Montmartre'. English Translation of Qiu Miaojin, [Mengmate yishu]. New York Review Books.
- Heinrich, A 2013, 'Zoology, Celibacy, and the Heterosexual Imperative: Notes on Teaching Lu Xun's 'Loner' as a Queer Text', Frontiers of Literary Studies in China, vol. 7, no. 3, pp. 441-458.
- Heinrich, A 2012, 'Begin Anywhere: Transgender and Transgenre Desire in Qiu Miaojin's Last Words from Montmartre', in Howard Chiang (ed.), Transgender China, Palgrave Macmillan, New York, pp. 161-181.
- Heinrich, A 2011, 'Reproducing Women: Medicine, Metaphor, and Childbirth in Late Imperial China', East Asian Science, Technology, and Medicine, vol. 34, pp. 195-198.
- Heinrich, A 2009, 'The People's Peking Man: Popular Science and Human Identity in Twentieth-Century China', Asian Studies Review, vol. 33, no. 4, pp. 535-536.
- Heinrich, A 2008, The Afterlife of Images: Translating the Pathological Body between China and the West, Duke University Press, Durham.
- Heinrich, A 2007, 'How China Became the "Cradle of Smallpox": Transformations in Discourse', Positions: East Asia Cultures Critique, vol. 15, no. 1, pp. 7-34.
- Heinrich, A 2006, 'The pathological empire: Early medical photography in China', History of Photography, vol. 30, no. 1, pp. 25-38.
- Martin, F & Heinrich, A, eds, 2006, Embodied Modernities: Corporeality and Representation in Chinese Cultures, University of Hawaii Press, California.
- Heinrich, A 2005, 'British Naturalists in Qing China: Science, Empire, and Cultural Encounter', Metascience, vol. 14, pp. 155-169.