Dr Louise Hamby
Areas of expertise
- Crafts 190501
- Museum Studies 210204
- Aboriginal And Torres Strait Islander Cultural Studies 200201
- Multicultural, Intercultural And Cross Cultural Studies 200209
- Social And Cultural Anthropology 160104
- Cinema Studies 190201
Louise Hamby is a Research Fellow in the School of Archaeology and Anthropology. Her most recent ARC Linkage Grant is The legacy of 50 years of collecting at Milingimbi Mission with Museum Victoria. Previously she was co-granted an ARC Discovery Grant:Contexts of Collection- a dialogic approach to understanding the making of the material record of Yolngu cultures (2008-2011). Her last position was a Postdoctoral Fellow - Industry working with Museum Victoria on the project, Anthropological and Aboriginal perspectives on the Donald Thomson Collection: material culture, collecting and identity. She took up this position at the CCR in 2003. From 2001 she was a Visiting Fellow. She received her PhD in Anthropology from the ANU in 2001. She also holds an MFA in Fabric Design from the University of Georgia.
Louise's PhD, Containers of Power was an ethnographic study of fibre container forms from northeastern Arnhem Land. It investigated a complex set of relationships between the forms, mainly baskets, bags and mats, their makers and users, their functions, their morphology, their manufacture and history. The theoretical approach taken was one in which objects, the fibre ones, have cultural biographies.
Louise has a strong interest in historic and contemporary material culture from Arnhem Land. Her involvement with eastern Arnhem Land women lead to the development of the exhibition that she co-curated with Diana Young, Art on a String. Her most recent involvement in curation, research and writing is about Gapuwiyak in eastern Arnhem Land fibre. This resulted in the exhibition Women with Clever Hands: Gapuwiyak Miyalkurrwurr Gong Djambatjmala and the book Containers of Power:Women with Clever Hands. Her previous exhibition and book was Twined Together: Kunmadj Njalehnjaleken from western Arnhem Land.
Fibre Container Forms from Gapuwiyak
Continuing research begun in the mid 1990s this project will look at generational change in the transmission of knowledge in fibre practice in Gapuwiyak. The influence of past makers and their styles will be investigated to highlight and encourage the involvement of younger women in the fibre practice. This practice has both economic and cultural benefits.
Body Ornament in the Donald Thomson Collection
Her most recent work is linked to the Donald Thomson Collection obtained in the mid 1930s and 1942, now housed in Museum Victoria. This collection includes around 5,000 artefacts of just about everything that Aboriginal people made and used at the time. It is far ranging; from bark paintings to spears to plant and animal specimens. As part of a larger project to examine objects to be worn on the body such as necklaces, headbands, armbands, headdresses, skirts, string harnesses and pubic covers this year's work has focused on armbands. This involves the historic pieces as well as fieldwork in Arnhem Land.
Previous Research Projects:
Art on a String: Threaded Objects from the Central Desert and Arnhem Land
This travelling exhibition is the first exhibition ever to be devoted entirely to the intricately coloured and patterned strings made into necklaces, bracelets, wall hangings, mats and fly curtains. It was co-curated by Louise Hamby and Diana Young, University College London. This exhibition draws attention to the work of individual artists whose work has been neglected in the past. The exhibition opened at Object, Centre for Contemporary Craft in Sydney in October 2001 and was at the ANU in June 2003 at the ANU School of Art Gallery. It has now completed its tour around Australia.
Twined Together:Kunmadj Njalehnjaleken
Twined Together is a traveling exhibition and reference book about western Arnhem Land fibre objects made by women. Louise has been working with the artists and the staff from Injalak Arts and Crafts Centre in Gunbalyana (Oenpelli) and its surrounding outstations to develop this project since 2002. The exhibition opened at Museum Victoria on May 12, 2005 and will continue to tour until 2008. This exhibition will give the women artists an opportunity to showcase their work and to demonstrate to the outside communities the long history of fibre production in their community.
Woven Forms: Contemporary Basket Making in Australia
Louise was part of the curatorium for Woven Forms: Contemporary Basket Making in Australia that was developed by Object - the Australian Centre for Craft and Design. This exhibition aimed to present a unique selection of outstanding selection of basket forms by practitioners from various cultural backgrounds in Australia. Louise researched and wrote mainly about the works from the Arnhem Land artists. The travelling show opened in September 2005 in Sydney.
PhD Students - The Interdisciplinary and Cross-Cultural Research (ICCR)
The Baguia Collection consists of material culture artifacts acquired from Baguia, Baucau District, Timor-Leste in 1935 by the Swiss ethnographer Dr Alfred Buehler. Whilst visiting Baguia, as part of an expedition initiated by the Museum der Kulturen, Basel, Switzerland, Buehler also took photographs of the people and local landscape. Joanna Barrkman’s research undertakes to document the process whereby Makasae and Naueti people, through engagement with the Baguia Collection objects and photographs, reconstitute social memory, transmit cultural knowledge between generations and in some instances re-enliven design in local crafts.
Cate’s current research examines the Warmun community and how its members exert agency and maintain their values, lifestyles and aims through the prism of art. In her PhD thesis, Cate tracks the journey of the Warmun Community Collection, the history of adjustment experienced by Warmun people and examines the unofficial roles of the Warmun Art Centre. The subcategories within these three trajectories highlight: the attributes of informal learning; how agency is expressed and; the evolving process of engagement and value recreation people have with objects of creative practice.
Grants are drawn from ARIES. To add Projects or Grants please contact your College Research Office.