Emeritus Professor Alexander (Sasha) Grishin AM, FAHA Grishin
Areas of expertise
- Art History 190102
- Art Theory 190103
- Visual Arts And Crafts 1905
- Art Theory And Criticism 1901
- Religion And Religious Studies 2204
Research interests
Nineteenth and Twentieth century art and contemporary art - especially Australian and European art
Medieval art - especially Byzantine and Russian art
Art theory and curatorship
Biography
Elected Fellow of the Australian Academy of the Humanities in 2004;
Awarded: Order of Australia [Member in the General Division] citation: "For service to the visual
arts and to contemporary Australian artists as an educator, critic and writer, and as an art
historian" in 2005
Appointed to the Sir William Dobell Chair of Art History in 2006 citation "the University
recognises your pre-eminent national and international research, publication and teaching record.
This is in terms of not only the high quality of your research, but the large volume and sustained
nature of your contribution".
Awarded 2008 Citation for Outstanding Contribution to Student Learning from the Australian
Learning & Teaching Council citation reading "For the creation of innovative and vocationally
orientated methods of teaching art history and curatorship".
Researcher's projects
Completing commissioned books and curatorial projects:
Multi volume publication on the travels of the late Byzantine monk Bars'kyj
Completing monographic publications on the painter David Larwill, painter John Passmore and photographer Joyve Evans
Curating major exhibition for the National Gallery of Victoria looking at the art of George Baldessin and Brett Whiteley.
Available student projects
Postgraduate Supervisions by Sasha Grishin
PhD supervisions (principle supervisor and chair of supervisory panel) completed and awarded:
Priscilla Henderson, Topic: ‘The Christian mosaics of Byzantine Palestine : towards an interpretation’ (1990)
Sue-Anne Flutter, Topic: ‘Byzantine Cappadocia : the planning and function of its ecclesiastical structures’ (1991)
Elisabeth Findlay, Topic: ‘Portraiture in early Victoria, 1834-1861 : a study of art and patronage in colonial society’ (1994)
Thea Exley, Topic: ‘Patronage by proxy : art competitions in Australia during the twentieth century’ (2000)
Shireen Huda, Topic: ‘Art auctions in Australia : their development and role in the Australian art market, with special reference to Christie's and Sotheby's’ (2003)
Bryony Wakefield, Topic: ‘Identity and process in the art of Bea Maddock’ (2004)
James Berryman, Topic: ‘From field to fieldwork : the exhibition catalogue and art history in Australia’ (2005)
Zoja Bojic, Topic: ‘Émigré artists of Slav cultural heritage working in Australia in the 20th century’ (2005)
Dimity Phillips, Topic: ‘Impressions of distance : a study of women printmakers practising in regional Australia 1993-2003’ (2006)
Diana Kostyrko, Topic: ‘Journal of an homme d'affaires : René Gimpel, 1918-1939: anatomy of cultural perception’ (2006)
Charlene Ogilvie, Topic: ‘The Aboriginal movement and Australian photography’ (2007)
Alistair Noble, Topic: ‘Aspects of the organisation of pitch and time in the early piano music of Morton Feldman’ (2008)
Anne Sanders, Topic: ‘The Mildura sculpture triennials 1961-1978 : an interpretative history’ (2009)
Brian Whitton, Topic: ‘ Modern painters of primal vision : visionary art and the idea of the ars symbiosis in modern Western (2009)
Anthea Gunn, Topic: ‘Imitation realism and Australian art’ (2010)
Steven Tonkin, Topic: ‘ Conceptual art and artists' books : an Australian perspective’ (2010)
Douglas Mackay, Topic: ‘Copying, parody, and pastiche in the early work of Paul Cézanne’ (2010)
Jane Kinsman, Topic: ‘ The prints of David Hockney : their cultural, authobiographical and artistic contexts’ (2011)
Jacqui Cheney, Topic: ‘The Mythology of the Uncanny as Theory and Practice in Australian Contemporary Art’ (2012)
Anita Strezova, Topic: ‘The Impact of Byzantine Hesychasm on Christian Art in Byzantine and Slavic Lands in 14th and 15th Centuries’ (2013)
Anita Pisch, Topic: ‘The personality cult of Stalin in Soviet posters, 1929-1953: archetypes, inventions and fabrications’ (2014)
Denise Morgan, Topic: 'Roar: A Melbourne Phenomenon' (2015)
PhD supervisions (principle supervisor and chair of supervisory panel) ongoing:
Louise Dauth,
Tatiana Antsoupova
Jane Cush
Frances Thompson
Dianne Longley
Bree Richards
Masters and MPhils (principle supervisor and chair of supervisory panel) completed and awarded:
Bede Webster (2001)
Tracey Moore (2003)
Anne Sanders (2005)
Ken Miller (2006)
Tatiana Antsoupova (2008),
Ian Foster (2009)
Sylvia Jamieson (2010)
Penelope Royston (2011)
Tarryn Peacock (2012)
Lauren Tamburrini (2013)
Publications
- Grishin, A 2019, Survey on: Lesley Duxbury: Quiet.
- Grishin, A 2018, 'Baldessin and Whiteley: Parallel Visions', in (ed.), Baldessin/Whiteley: Parallel Visons, National Gallery of Victoria, Australia, pp. 1-48.
- Grishin, A 2018, 'George Baldessin & Brett Whiteley Timeline', in (ed.), Baldessin/Whiteley: Parallel Visons, National Gallery of Victoria, Australia, pp. 166-179.
- Grishin, A 2018, 'Michael Taylor', Artist Profile, no. 44, pp. 68-75.
- Grishin, A 2018, Peter Boggs: Transfigured Realities.
- Grishin, A & Grishin, A 2018, Helen Maudsley: Our Knowing and not Knowing, pp. 15-17.
- Grishin, A 2018, 'Book Review: Piano Man', Sydney Review of Books, no. October 2018.
- Grishin, A 2018, Review: Escher x nendo, National Gallery of Victoria, pp. online.
- Grishin, A 2017, 'Rosalind P. Blakesley, The Russian Canvas: Painting in Imperial Russia, 1757-1881, London: Yale University Press, 2016', Australian Slavonic and East European Studies, vol. 31, no. 1-2, pp. 296-298.
- Grishin, A 2017, The schoolgirls of Charles Blackman - haunting works from a politically innocent age, pp. 5pp..
- Grishin, A 2017, A maverick on fabric: the strange, unconventional art of Jenny Watson, pp. 4pp..
- Grishin, A 2017, Whiteley: a seductive cinematic portrait of a serious artist, pp. 4pp..
- Grishin, A 2017, 'Book Review: Through The Contemporary Darkness: Blood Mystic by George Gittoes, Pan Macmillan Australia, 2016', Sydney Review of Books, vol. online, pp. 9pp..
- Grishin, A 2017, Contemporary art in Albania. http://www.sashagrishin.com/blog/gab-10-grishins-art-blog-10
- Grishin, A 2016, 'Lit from within', in Mark Butler (ed.), Many Hands: The First 40 Years of The Australian Tapestry Workshop, HarperCollins, Melbourne Australia, pp. 20-23pp.
- Grishin, A 2016, 'Book Review: Rattling Spears: A History of Indigenous Australian Art by Ian McLean, Reaktion Books Ltd, London, 2016', Aboriginal History, vol. 40, pp. 341-343.
- Grishin, A 2016, Sombre lament for loss.
- Grishin, A 2016, 'Wendy Stavrianos: Silent rooms and portals to uncertain shores', in Laura Murray Cree (ed.), Wendy Stavrianos: Silent Rooms and Portals to Uncertain Shores, Langford Press, Melbourne Australia, pp. 7-9pp.
- Grishin, A 2016, I quadri metafisici di Giuseppe Modica, catalogue essay in Giuseppe Modica (The metaphysical paintings of Giuseppe Modica).
- Grishin, A 2016, 'Twenty years of Sculpture by the Sea', in David Handley (ed.), Sculpture by the Sea: The First Twenty Years 1997-2016, Sculpture by the Sea Inc, Australia, pp. 6-14pp.
- Grishin, A 2016, 'Brett Whiteley: Art, Life and the Other Thing by Ashleigh Wilson, Text Publishing', Sydney Review of Books, vol. August 2016.
- Grishin, A 2016, 'Profiles in print - Jazmina Cininas', Craft Arts International, vol. 96, pp. 31-35pp.
- Grishin, A 2016, 'Reading the work of Charles-Alexandre Lesueur and Nicolas-Martin Petit', in Jean Fornasiero, Lindl Lawton and John West-Sooby (ed.), The Art of Science: Nicolas Baudin's voyagers 1800-1804, Wakefield Press, Australia, pp. 142-153pp.
- Grishin, A 2016, For your enjoyment: Australian Galleries turns 60, pp. 24-25.
- Grishin, A 2016, 'A surprising spectacle rescues the Sydney Biennale from irrelevance', The Conversation, http://theconversation.com/a-surprising-spectacle-rescues-the-sydney-biennale-from-irrelevance-56417
- Grishin, A 2016, Brian Blanchflower.in Natasha Bullock (ed.) MCA Collection Handbook, Sydney, Museum of Contemporary Art, 2016
- Grishin, A 2016, 'Friday essay: Siler-tongued Turnbull fails to woo the arts vote', The Conversation, http://theconversation.com/friday-essay-silver-tongued-turnbull-fails-to-woo-the-arts-vote-55132
- Grishin, A 2016, 'Review: The naked nude from the Tate', The Conversation, vol. November 2016.http://theconversation.com/review-the-naked-nude-from-the-tate-68324
- Grishin, A 2016, Richard Dunn.in Natasha Bullock (ed.) MCA Collection Handbook, Sydney, Museum of Contemporary Art, 2016
- Grishin, A 2016, Tony Clark, in Natasha Bullock (ed.) MCA Collection Handbook, Sydney, Museum of Contemporary Art, 2016
- Grishin, A 2016, Udo Sellbach: And still I see it, Queen Victoria Museum & Art Gallery, Launceston, 2016 pp.10-21 .
- Grishin, A 2016, William Robinson: The printmaker, in Vanessa Van Ooyen (ed.), Genesis: William Robinson, Brisbane, Queensland University of Technology, 2016, pp.10-21 .
- Grishin, A 2015, Review: Jan Senbergs' paintings are a brilliant shock to the senses, pp. online.
- Grishin, A 2015, Celebrating Melbourne bohemians at the State Library of Victoria, pp. online.
- Grishin, A 2015, John Wolseley, artist, emerges as a lyrical poet and a prophet, pp. online.
- Grishin, A 2015, The Byzantine Icon, pp. Online.
- Grishin, A 2015, As They Are: Colonial Life and the Art of S.T. Gill, pp. online.
- Grishin, A 2015, The late Gordon Darling and the gentle art of philanthropy, pp. online.
- Grishin, A 2015, Friday essay: the art market is failing Australian artists, pp. online.
- Grishin, A 2015, Experiments with light: James Turrell dazzles at the NGA, pp. online.
- Grishin, A 2015, Is that a Whiteley? Why collectors buy lousy fakes as masterpieces, pp. online.
- Grishin, A 2015, Sculpture by the Sea is thriving – on the coast of Denmark, pp. online.
- Grishin, S 2015, John Wolseley: Land Marks III, Thames and Hudson, Australia.
- Grishin, S 2015, S.T. Gill & His Audiences, NLA Publishing, Australia.
- Grishin, A 2014, 'The impact of Christo on the development of Australian art', Izkustvovedski Cheteniya 2014, no. 9, pp. 167-171.
- Grishin, A 2014, Getting up close to the work of Chuck Close at Sydney’s MCA, pp. online.
- Grishin, A 2014, Likenesses of the soul: EIKON at the Art Gallery of Ballarat, pp. online.
- Grishin, A 2014, How hierarchies happen in contemporary Australian art, pp. online.
- Grishin, A 2014, Sculpture in the bush: a strong year for the McLelland Prize, pp. online.
- Grishin, S., 2014, The Art of Inge King, Macmillan Art Publishing, Australia.
- Grishin, A 2013, Australian Art: A History, Melbourne University Press (an imprint of Melbourne University Publishing), Australia.
- Grishin, A 2013, Accounting for Taste: The Lowensteins Arts Management Collection.
- Grishin, A 2012, Introduction to Made in Cuba: Contemporary Cuban art in Australia.
- Grishin, S 2012, Unique States Seriality & The Panoramic A Survey Exhibition of Three Decades of Prints by Raymond Arnold, Burnie Regional Art Gallery, Hobart, Tasmania.
- Grishin, S 2012, 'We must escape ourselves to find ourselves - to live in perpetual exile is to find home', in (ed.), Unique States Seriality & The Panoramic A Survey Exhibition of Three Decades of Prints by Raymond Arnold, Burnie Regional Art Gallery, Hobart, Tasmania, pp. 6-24.
- Grishin, A 2011, 'The Spiritual in the Art of Leonard Brown', in Evie Franzidis (ed.), Union with Reality: The Art of Leonard Brown, QUT Art Museum, Brisbane, Australia, pp. 19-31pp.
- Grishin, A 2011, 'ACTWrap July-Sept 2011', Australian Art Collector, no. 57, pp. 273-276.
- Grishin, A 2011, 'ACTWrap April-June 2011', Australian Art Collector, no. 56, pp. 338-339.
- Grishin, A 2011, 'ACTWrap Oct-Dec 2011', Australian Art Collector, no. 58, pp. 305-306.
- Grishin, A 2011, 'Between Mecca and Malevich', Australian Art Collector, no. 58, pp. 144-147.
- Grishin, A 2011, 'ACTWrap Jan-March 2011', Australian Art Collector, no. 55, pp. 249-250.
- Grishin, A 2011, 'A Celtic Legacy', Australian Art Review, vol. May-June, no. 27, p. 78.
- Grishin, S 2011, Bruno Leti Portrait of a Printmaker: matrix to paper, forty years of printmaking, Macmillan Art Publishing, Melbourne Australia.
- Grishin, S 2011, 'Art, love and life: Ethel Carrick and E. Phillips Fox', Art Monthly Australia (AMA), no. 242, pp. 80-81.
- Grishin, S 2011, 'David Larwill', Art and Australia, vol. 49, no. 2, p. 333.
- Grishin, S 2011, 'Erwin Fabian: Recent Sculptures & Earlier Monotypes', in Erwin Fabian & Sasha Grishin (ed.), Erwin Fabian: recent sculptures & earlier monotypes : 7 - 26 May 2013, Australian Galleries, Australia.
- Grishin, S 2011, 'Sydney Printmakers Fifty Years On', in (ed.), Hot off the press: New Directions Sydney Printmakers Celebrating 50 Years, Manly Art Gallery and Museum, Sydney Australia, pp. 6-11.
- Grishin, S 2011, 'The Many Lives of ROAR', in Denise Morgan (ed.), ROAR Re-Viewed: 30 Years On, Macmillan Art Publishing, South Yarra, Australia, pp. 7-11.
- Grishin, S 2011, 'The peculiarity of Australian printmaking: The dialectic between Indigenous and non-Indigenous printmaking', in Kerrianne Stone and Stephanie Jaehrling (ed.), Print Matters at the Baillieu, Cussonia Press (an imprint of Custom Book Centre), Melbourne Australia, pp. 57-68.
- Grishin, S 2011, 'Togart Contemporary Art Award 2011', Art Monthly Australia (AMA), no. 245, pp. 27-28.
- Grishin, S 2012, Bound for Glory: A cameo exhibition in the Library's Cowen Gallery asks whether artists' books have a place in the 21st century, pp. 12-13.
- Grishin, A 2010, 'Before Other Words: The Artist, the Print and the Matrix', in (ed.), Bruno Leti: The Matrix Remembering Giorgio Morandi: equilibrium and strength, Macmillan Art Publishing, Victoria, Australia, pp. 20-23.
- Grishin, A 2010, 'On the Gentle Art of Collaborating with Lino: Collaborations between Australian Artists and the La Paloma Pottery at Hill End', in (ed.), Lino Alvarez: Collaborations in Clay 9 July-22 August 2010, Bathurst Regional Art Gallery, NSW, Australia.
- A Byzantine pilgrim: Barskyj's manuscript and its real and imagined audiences, Gregory Kratzmann (ed.), Imagination, books and community in ,medieval Europe, Macmillan and State Library of Victoria, 2010, pp.145-152 (ISBN 978-1-921394-33-1)
- On the gentle art of collaborating with Lino: Collaborations between Australian artists and the La Paloma pottery at Hill End, monographic catalogue essay in Lino Alvarez: Collaborations in clay, Bathurst Regional Art Gallery, Bathurst 2010, 24pp. (ISBN 0 947301 81 X)
- Grishin, A 2009, 'A Byzantine Pilgrim: Bars'kyj's Manuscript and its Real and Imagined Audiences', in Gregory Kratzmann (ed.), Imagination, Books and Community in Medieval Europe, Macmillan Art Publishing, Melbourne, Australia, pp. 145-151.
- Grishin, A 2009, 'American Printmaking 1905-1960: Framing a Critical Reassessment', Imprint: A journal about printmaking in Australia, vol. 44, no. 1, pp. 1-2.
- Grishin, A 2009, 'The enigma of John Brack: Notes towards a portrait of the artist', in Kirsty Grant (ed.), John Brack, National Gallery of Victoria, Melbourne, Australia, pp. 153-161.
- Smithson, M, Bammer, G, Attewell, R et al. 2008, 'Coping and Managing under Uncertainty', in Gabriele Bammer and Michael Smithson (ed.), Uncertainty and Risk: Multidisciplinary Perspectives, Earthscan Publications Ltd, London, pp. 321-335.
- Grishin, A 2008, 'A new history of Australian Art: Dialectic between Indigenous and Non-Indigenous Art', International Journal of the Humanities, vol. 6, no. 7, pp. 59-65.
- Grishin, A 2008, 'Cross Currents', in Cath Bowdler (ed.), Crossfire print and glass, Wagga Wagga Regional Art Gallery, Wagga Wagga NSW, pp. 4-9.
- Grishin, A 2008, 'Bill Whiskey Tjapaltjarri c1920-2008', Art Monthly Australia (AMA), vol. 214.
- Smithson, M, Bammer, G, Attewell, R et al. 2008, 'Uncertainty Metaphors, Motives and Morals', in Gabriele Bammer and Michael Smithson (ed.), Uncertainty and Risk: Multidisciplinary Perspectives, Earthscan Publications Ltd, London, pp. 305-320.
- Grishin, A 2008, 'David Larwill and the Western Desert Artists', in Lisa Fox (ed.), David Larwill and the Western Desert Artists Catalogue, Stephan Weiss Studio, New York, pp. 5-17 33-37.
- Bammer, G, Smithson, M, Attewell, R et al. 2008, 'The Nature of Uncertainty', in Gabriele Bammer and Michael Smithson (ed.), Uncertainty and Risk: Multidisciplinary Perspectives, Earthscan Publications Ltd, London, pp. 289-304.
- Grishin, A 2008, 'The Apotheosis of Ern Malley: Garry Shead', in Sasha Grishin (ed.), Garry Shead: The Apotheosis of Ern Malley, Australian Galleries, Collingwood, Australia, pp. 143pp.
- Grishin, A 2008, 'Uncertainty as a Creative Force in Visual Art', in Gabriele Bammer and Michael Smithson (ed.), Uncertainty and Risk: Multidisciplinary Perspectives, Earthscan Publications Ltd, London, pp. 115-125.
- Grishin, A 2008, Garry Shead: The Apotheosis of Ern Malley, Voigt Drury Publishing, Sydney Australia.
- Bammer, G, Attewell, R, Delaney, K et al. 2008, 'Improving the management of ignorance and uncertainty: A case illustrating integration in collaboration', in Shani A. B, Mohrman S.A, Pasmore W.A., Stymne B., Adler N. (ed.), Handbook of Collaborative Management Research, Sage Publications Inc, Thousand Oaks, CA, US, pp. 421-437 (Chapter 20).
- Grishin, A 2007, 'Eastern Christian Iconographic and Architectural Traditions: Eastern Orthodox', in Ken Parry (ed.), The Blackwell Companion to Eastern Christianity, Blackwell Publishing Ltd, USA, UK, Australia, pp. 368-387.
- Grishin, A 2006, 'Bars'kyj and the Orthodox community', in Michael Angold (ed.), The Cambridge History of Christianity: Eastern Christianity, Cambridge University Press, Cambridge, United Kingdom, pp. 210-228.
- Grishin, A 2006, John Wolseley: Land Marks II (2nd ed), Craftsman House, Melbourne, Australia.
- Grishin, A 2005, 'Grahame King: The Patron Saint of Contemporary Australian Printmaking', in Sasha Grishin (ed.), The Art of Grahame King, Macmillan Publishers Ltd, Victoria, Australia, pp. 41-58.
- Grishin, A 2005, 'The Art of Grahame King: The Early Years', in Sasha Grishin (ed.), The Art of Grahame King, Macmillan Publishers Ltd, Victoria, Australia, pp. 15-40.
- Grishin, A 2005, Sarah Woods; Printmaker: Anne Lord; Bill Viola: The Passions, pp. 123; 145; 217pp.
- Grishin, A 2005, Paul Storey: Mystical Vision.
- Grishin, A 2005, Martin Coyte: Uplifted Horizons.
- Grishin, A, ed., 2005, The Art of Grahame King, Macmillan Publishers Ltd, Victoria, Australia.
- Grishin, A 2005, 'The Original Print in the Age of Digital Reproductions', in Exhibition Curator: Thomas A. Middlemost (ed.), Contrasts within the Charles Sturt University Art Collection, Charles Sturt University, New South Wales, Australia, pp. 41-49.
- Grishin, A 2005, Jenny Sages:The Quiet Achiever; John Wolseley: Sacred Ecology, pp. 52-54pp.
- Grishin, A 2005, 'Mother of God of Tikhvine (Tikhvinskaya)', in Richard Temple (ed.), Masterpieces of Early Christian Art and Icons, London, Temple Gallery 2005, pp. 68-71.
- Grishin, A 2005, Profiles in Print - Stephen Spurrier, Craft arts International, No 65, 2005, pp. 80-82.
- Grishin, A 2004, Kevin Gilbert: My Father's Studio, 1965.
- Grishin, A 2004, 'Andre Giroux and the nineteenth-century landscape vision', in n/a (ed.), Andre Giroux, Wertheimer Foundation, London, United Kingdom, pp. 25-63.
- Grishin, A 2004, Sean Scully in print.
- Grishin, A 2004, 'Arone Raymond Meeks: Common Ground, 1997', in Wally Caruana (ed.), Likan'mirri - connections: the AIATSIS collection of art (catalogue for exhibition), Australian National University, Canberra Australia, pp. 16-17pp.
- Grishin, A 2004, 'The Australian Print Workshop and Australian printmaking', in Roger Butler and Anne Virgo (ed.), place made Australian Print Workshop, National Gallery of Australia, Canberra, Australia, pp. 28-45.
- Grishin, A 2004, 'The Australian National University Art Collection: An Overview', in n/a (ed.), The Art Collection Acquisitions 1995-2004, Australian National University, Canberra, Australia, pp. 17-41.
- Grishin, A 2003, 'The etchings of Graham Fransella', in Caroline Field (ed.), Graham Fransella - eau forte (exhibition catalogue), Deakin University, Melbourne Australia, pp. 1-20pp.
- Grishin, A 2003, 'The Rise and Rise of the National Gallery of Australia', Art and Australia, vol. 41, no. 2, pp. 256-271.
- Grishin, A 2003, Jeffrey Smart's Eternal Order of Light and Balance.
- Grishin, A 2003, 'The Iconography of Leonard Brown's Abstract Paintings', in Leonard Brown (ed.), Up and down backwards and forwards, Unknown, Australia, pp. 5-15pp.
- Grishin, A 2003, 'A collection of masterpieces', in Pauline Green (ed.), Building the Collection, National Gallery of Australia, Canberra, Australia, pp. 210-233.
- Grishin, A 2002, 'Acik Saray and Medieval Military Campaigns', in Linda Rasmussen, Valerie Spear and Dianne Tillotson (ed.), Our Medieval Heritage: Essays in honour of John Tillotson for his 60th birthday, Merton Priory Press, Cardiff, United Kingdom, pp. 164-171.
- Grishin, A 2002, Bruno Leti: Six Memos on the Art of Bruno Leti, The Beagle Press, Sydney, Australia.
- Grishin, A 2001, 'Helen Geier Chance and Other Games', Art and Australia, vol. 39, no. 2, pp. 268-275.
- Grishin, A 2001, 'Dreams and Swords', in Dianne Fogwell (ed.), Dianne Fogwell: Collected works 1979-2001, Dianne Fogwell, Canberra, pp. 24-27.
- Grishin, A 2001, Garry Shead and the Erotic Muse, Craftsman House, Sydney.
- Grishin, A 2001, 'A Printmaker on the Boundaries of Art', in Dianne Fogwell (ed.), Dianne Fogwell: Collected works 1979-2001, Dianne Fogwell, Canberra, pp. 20-23.
- Grishin, A 2000, 'John Brack 1920-1999', in Klepac, Lou (ed.), Australian Painters of the Twentieth Century, The Beagle Press, Sydney, Australia, pp. 160-171.
- Grishin, A 2000, 'Fred Williams 1927-1982', in Klepac, Lou (ed.), Australian Painters of the Twentieth Century, The Beagle Press, Sydney, Australia, pp. 184-195.
- Grishin, A 2000, 'Realism, caricature and phrenology: Early colonial depictions of the indigenous peoples of Australia', in Favelle, K. (ed.), The World Upside Down: Australia 1788-1930, National Library of Australia, Canberra, Australia, pp. 13-19.
- Grishin, A 2000, 'The making and collecting of graphic arts in contemporary Australia', Grapheion, vol. 15, no. 3-4, pp. 64-79.
- Grishin, A 2000, Australian Identities in Printmaking: The Australian Print Collection of Wagga Wagga Regional Art Gallery, Wagga Wagga Regional Art Gallery, Wagga Wagga.
- Grishin, A 2000, 'Allan Mitelman', inAustralian Painting Now, Laura Murray Cree and Nevill Drury (eds.), Thames and Hudson, London 2000, pp. 212-215.
- Grishin, A 2000, 'Andrew Sibley', in Australian Painting Now, Laura Murray Cree and Nevill Drury (eds.), Thames and Hudson, London 2000, pp. 264-267.
- Grishin, A 2000, 'Arthur Boyd', inAustralian Painting Now, Laura Murray Cree and Nevill Drury (eds.), Thames and Hudson, London 2000, pp. 60-63.
- Grishin, A 2000, 'Bea Maddock', in Australian Painting Now, Laura Murray Cree and Nevill Drury (eds.), Thames and Hudson, London 2000, pp. 200-203.
- Grishin, A 2000, 'Bruno Leti', in Australian Painting Now, Laura Murray Cree and Nevill Drury (eds.), Thames and Hudson, London 2000, pp. 192-195.
- Grishin, A 2000, 'Colin Lanceley', in Australian Painting Now, Laura Murray Cree and Nevill Drury (eds.), Thames and Hudson, London 2000, pp. 180-183.
- Grishin, A 2000, 'David Rankin', in Australian Painting Now, Laura Murray Cree and Nevill Drury (eds.), Thames and Hudson, London 2000, pp. 236-239.
- Grishin, A 2000, 'Garry Shead', inAustralian Painting Now, Laura Murray Cree and Nevill Drury (eds.), Thames and Hudson, London 2000, pp. 256-259.
- Grishin, A 2000, 'George Gittoes', in Australian Painting Now, Laura Murray Cree and Nevill Drury (eds.), Thames and Hudson, London 2000, pp. 124-127.
- Grishin, A 2000, 'Jan Sensbergs', in Australian Painting Now, Laura Murray Cree and Nevill Drury (eds.), Thames and Hudson, London 2000, pp. 252-255.
- Grishin, A 2000, 'John Firth-Smith', in Australian Painting Now, Laura Murray Cree and Nevill Drury (eds.), Thames and Hudson, London 2000, pp. 116-119.
- Grishin, A 2000, 'John Wolseley', in Australian Painting Now, Laura Murray Cree and Nevill Drury (eds.), Thames and Hudson, London 2000, pp. 328-321.
- Grishin, A 2000, 'Rosalie Gascoigne', in Australian Painting Now, Laura Murray Cree and Nevill Drury (eds.), Thames and Hudson, London 2000, pp. 120-123.
- Grishin, A 2000, 'Sally Smart', in Australian Painting Now, Laura Murray Cree and Nevill Drury (eds.), Thames and Hudson, London 2000, pp. 268-271.
- Grishin, A 1999, Helen Geier: Different Fields of Vision, Earl Lu Gallery/Lasalle-Sia College of the Arts, Singapore.