Dr Christina Clarke

BA BA(Visual)Hons MAHCS(Advanced) PhD
Lecturer in Early Modern Art, Design and Material Culture
College Arts & Social Sciences

Areas of expertise

  • Art History 190102
  • Visual Arts And Crafts 1905
  • Design History And Theory 120301
  • European History (Excl. British, Classical Greek And Roman) 210307
  • Classical Greek And Roman History 210306

Research interests

Early modern art and material culture, history of metals, history of design, decorative arts.

Biography

Dr Christina Clarke is Lecturer in Early Modern Art, Design and Material Culture at the School of Art and Design Centre for Art History and Art Theory. Her specialisation is the history of metal material culture and her current research focuses on early modern European metalwork and the manufacturing network of Louis XIV’s silver furniture. Dr Clarke explores digital humanities tools for teaching and researching art history and works on Performing Transdisciplinarity, an Australian Research Council Discovery Project to create a digital critical edition of Jean-Benjamin de Laborde’s 1774 illustrated songbook, Choix de chansons. Her monograph, The Manufacture of Minoan Metal Vessels: Theory and Practice, was published in 2013 by Astrom Editions.

Researcher's projects

Material Knowledge and Material Culture: The Silver Furniture of Louis XIV (1666—1689)

How can we gain a true understanding of historical material culture which no longer exists? Is there a way to comprehend the materiality of objects once they are gone? This project aims to reconstruct the materiality of one such group of objects—the lost silver furniture of Louis XIV—by identifying the craft processes that were used to make them. This material reconstruction is achieved by gathering the scant data on these pieces which survives in accounts and inventories and analysing these with the implicit knowledge of metal—the material knowledge—gained from experience in the craft.


Metalworkers and Metalworking in Diderot and d'Alembert's Encyclopédie

The Encyclopédie, ou dictionnaire raisonné des sciences, des arts et des métiers, published by Denis Diderot and Jean le Rond d'Alembert between 1751 and 1766 provides a tantalising snapshot of metalworking technology and knowledge in eighteenth-century Europe. This project will collate and annotate the 500+ articles and plates relating to metalworking in the Encyclopédie and provide translations into English to make this fascinating storehouse of knowledge available to English-speaking audiences for the first time.


Performing Transdisciplinarity

This project will produce a digital critical edition of Jean-Benjamin de Laborde’s long-forgotten illustrated songbook Choix de Chansons (1773).

Funded by the Australian Research Council, this project brings together a multidisciplinary team of researchers from the Australian National University, the University of Sydney, the Sorbonne and the Voltaire Foundation, working across the disciplines of art history (Mark Ledbury and Robert Wellington), musicology (Erin Helyard), French literature (Nicholas Cronk), and digital humanities (Glenn Roe), with digital designer Pia van Gelder and research associate Christina Clarke as technical team.

The team is exploring the interrelation and interactivity of images, music, and text in the Choix de Chansons and similar cultural objects in the eighteenth century more generally. By reconceiving the illustrated songbook as a multimedia digital interface for sharing and linking deep disciplinary knowledge, this project will provide a fascinating glimpse into the sounds, sensibilities, and social mores of late-eighteenth-century France.

Current student projects

Doctoral Candidates

 Bic Tieu, "The Production and Impact of Biographic Objects as Instruments for Traversing Personal Identity, Migration and Intercultural Spaces."

Tracy Pateman, "Objects that Distil the Experience of Home: A Participative Design Approach with People Living with Memory Loss."

 

Bachelor of Art History and Curatorial Studies Honours Candidates (2020)

 Mikayla Gleeson: Ideological responses of Christian archeologists and art historians to classical syncretism in the nineteenth-century

Catherine Purnell: Illustrated editions of Ovid's Metamorphoses in Early Modern Venice

Rachel Turner: The influences of patron politics on the production and function of sculpture in Italy between 1550 and 1630

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Updated:  01 October 2020 / Responsible Officer:  Director (Research Services Division) / Page Contact:  Researchers