Emeritus Professor Anthea Callen
Areas of expertise
- Art History 190102
- Visual Cultures 190104
- Art Theory 190103
Research interests
Nineteenth and twentieth century French and British Art; the history of artists' materials and techniques; the history of the artist's studio and plein air painting in France; art, science & medicine; representations of the body; visual cultures of gender and difference; nineteenth century arts and crafts in Britain and the USA.
Biography
Anthea Callen is a scholar and a painter. Her expertise in art history, visual culture and the gender politics of visual representation spans the eighteenth to twentieth centuries, notably on France and Britain; her research specialism in nineteenth-century artists' materials and techniques means she works regularly with museum conservators and curators. As a painter she has a strong personal and professional interest in twentieth century modernism and contemporary art, especially feminist/women's art practice.
Anthea Callen lives and works in Canberra, Australia, Leamington Spa (UK) and the South of France.
Researcher's projects
Anthea Callen is published extensively, with single-authored and edited books, book chapters, articles in scholarly journals and essays. Her most recent book chapter, on Seurat's drawings, appears in Seurat Re-viewed (ed. Paul Smith, 2010) and her paper on 'The Matter of Painting : La Matière de la peinture' was published in the Actes de Colloque Histoire de l’art au XIXe siècle (1848-1914). Bilans et perspectives in the collection « Rencontres de l’École du Louvre » 2012. She is currently completing the Introduction to the National Gallery of Art Washington DC's new Systematic Catalogue of late nineteenth-century French painting, to be published on line. Her new book for Yale University Press on the male body and issues of masculinity is nearing completion. Her latest research is for a book on painters' studios and plein air painting methods in nineteenth-century France.
A frequent visiting professor and international speaker, Callen gives public lectures, plenary talks and conference papers in many countries including the USA, Canada, Australia, and in Continental Europe and the UK.
Publications
- Callen, A (2012), 'The Matter of Painting : La Matiere de la peinture', in Actes du colloque Histoire de lâ??art au XIXe siècle (1848-1914). Bilans et perspectives, Recontres de l'Ecole du Louvre, pp.229-242.
- 'Hors d'oeuvre: Edges, boundaries and marginality with particular reference to Seurat's early drawings', in Paul Smith (ed.), Seurat Re-viewed, Penn State University Press, 2010
- Callen, A 2008, 'A Touch of Colour: The aesthetics of Impressionist "facture" and paint application techniques', Zeitschrift fur Kunsttechnologie und Konservierung (Journal of Art Technology and Conservation), vol. 2, pp. 335-342pp.
- Callen, A & Brauer, F, eds., 2008, Art, Sex and Eugenics: Corpus Delecti, Ashgate Publishing Group, Aldershot and London, United Kingdom.
- Callen, A 2008, 'Man or machine: Ideals of the labouring male body and the aesthetics of industrial production in early twentieth-century Europe', in Fae Brauer and Anthea Callen (eds.), Art, Sex and Eugenics: Corpus Delecti, Ashgate Publishing Group, Aldershot and London, United Kingdom, pp. 139 - 162.
- â??Lâ??Art, lâ??anatomie et la construction du corps idéal masculinâ??, in Gilles Boëtsch, Nicole Chapuis-Lucciani and Dominique Chevé (eds.), Représentations de corps : Le biologique et le vécu, normes et normalité, Presses Universitaires de Nancy, Nancy, 2006, pp.113-124.
- â??De kleur van het impressiomisme [The colour of Impressionism]â??, in Miracle de la Couleur: impressionisme en post-Impressionisme, Kunsthal, Rotterdam, 2003, pp.57-80.
- â??Maskulina ideal om maktens anatomiâ??, in Anna Lena Lindberg (ed.), Den maskulina mystiken, Lund, Sweden, 2002 (translated reprint of â??Ideal Masculinitiesâ?? book-chapter), pp.33-51
- 'Ideal Masculinities: The Case of Albinus', in N Mirzoeff (ed.), The Visual Culture Reader, revised edition, London and New York, Routledge, 2002
- 'Technique and Gender: Landscape, Ideology and the Art of Monet's Series Paintings', in Anna Gruetzner Robins and Steven Adams (eds.), Gendering Landscape Art, Manchester University Press, 2000, pp.26-44
- The Art of Impressionism: Painting Technique and the Making of Modernity, Yale University Press, 2000 (245pp)
- The Spectacular Body: Science, Method and Meaning in the Work of Degas, London and New Haven, Yale University Press, 1995 (244pp) ISBN-0-300-05443-2.