Dr Adam Broinowski
Biography
Adam Broinowski is an Australian Research Council postdoctoral research fellow at the school of Culture, History and Language in the College of Asia and the Pacific at the Australian National University. Bringing his other life of theatre and filmmaking to scholarship, Adam's PhD at the Centre for Ideas and the School of Philosophical and Historical Studies, University of Melbourne examined Hijikata Tatsumi and his pioneering dance form Ankoku Butoh in light of postwar occupation culture in Japan and its continuation in the work of contemporary theatre company Gekidan Kaitaisha. This led to his sole-authored monograph, Cultural Responses to Occupation in Japan: The Performing Body during and after the Cold War London and Sydney: Bloomsbury Academic 2016. Currently, his DECRA research project 'Contaminated Life: 'Hibakusha' in Japan in the Nuclear Age' (DE 130100174) is concerned with social and cultural responses to radioactive contamination in post-1945 Japan.
Publications
- Broinowski, Adam (2016), Cultural Responses to Occupation in Japan: The Performing Body During and After the Cold War, Bloomsbury Academic, London.
- Broinowski, Adam (2014), 'Global power shift: A USA-Japan-Australia-India nuclear chain', Journal of the Oriental Society of Australia, vol. 46, no. 2014, pp. 118-142.
- Broinowski, Adam (2015), 'Immunities: Life in a Fukushima World', Ritsumeikan Studies in Language and Culture, vol. 26, no. 4, pp. 153-179.
- Broinowski, Adam (2015), 'Nuclear Imperialism', in (ed.), The Palgrave Encyclopedia of Imperialism and Anti-Imperialism, Palgrave Macmillan Ltd, London.
- Broinowski, Adam (2014), 'Conflicting Immunities: Priorities of Life and Sovereign amid the Fukushima Daiichi Nuclear Disaster', Electronic Journal of Contemporary Japanese Studies, vol. 14, no. 3, pp. online.
- Broinowski, Adam (2014), 'Sovereign Power Ambitions and the Realities of the Fukushima Nuclear Disaster', in Majia Nadesan, Antony Boys, Andrew McKillop and Richard Wilcox (ed.), Fukushima: Dispossession of Denuclearization?, The Dispossession Publishing Group, online, pp. 24-52.
- Broinowski, Adam (2014), 'Undermining Nuclear Non-Proliferation: Energy and Security Politics in the Australia-India-Japan-U.S. Nuclear Nexus', The Asia-Pacific Journal: Japan Focus, vol. 12, no. 46.
- Broinowski, Adam (2013), 'Fukushima: Life and the Transnationality of Radioactive Contamination', The Asia-Pacific Journal: Japan Focus, vol. 11, no. 41, 14 October, pp. online. In Japanese: Adam Broinowski (2013), 'Fukushima: Seimei to Kokyo wo Koeru Hoshano Osen', (Inoue Toshio trans.)
- Broinowski, Adam (2012), 'What does Fukushima mean? Confronting the Hydra', Griffith Review, vol. 35.
- Broinowski, Adam (2012), review, 'Sas, M., Experimental Arts in Postwar Japan: Moments of Encounter, Engagement and Imagined Return,' in Japanese Studies Association of Australia, May 32:1, Melbourne: University of Melbourne, Jan-Feb
- Broinowski, Adam (2010), ‘Gekidan Kaitaisha – Bye Bye the New Primitive: Theatre of the body and cultural deconstruction’, A. Lavender, J. Harvie (eds.) Making Contemporary Theatre: International rehearsal processes, Manchester: Manchester University Press.
- Broinowski, Adam (2010), ‘Otaku: Resistance and Conformity’, Double Dialogues–In/Stead Issue 3, Melbourne: Deakin University Press.
- Broinowski, Adam (2009), ‘Black River’, Senses of Cinema, RMIT: Melbourne, Issue 50.
- Broinowski, Adam (2009), ‘Vivisection Vision: performing the humanimal,’ World Dance Alliance, Brisbane: Queensland University of Technology Creative Industries.
- Broinowski, Adam (2009), ‘How Hijikata Tatsumi offered up a Rebellion of Being through Ankoku Butoh’, Some/things Art Journal, vol. 001, Paris: Some/things, pp. 288-310.
- Adam Broinowski (2009), ‘Wort und Fleisch’, Screening the Past, vol. 26, tlweb.latrobe.edu.au/humanities/screeningthepast/current/issue-26.html?
- Adam Broinowski, (2009), ‘TS2: Intercepting Art from Waste’ Art Monthly Australia Jan-March 2010, www.artmonthly.org.au/article.asp?contentID=907?/ ’TS2’ Catalogue essay, Dec.
- Adam Broinowski (2008), ‘The Performance of War Images’, ADSA–Being there: after, September, Sydney: University of Sydney Press.
- Adam Broinowski (2006), ‘Yaneura – The Attic’, New Voices, Vol. 1, Sydney: Japan Foundation.
- Adam Broinowski (2006), 'Melbourne Festival: Images that hold', Realtime, 76, Dec-Jan, http://www.realtimearts.net/article/76/8296
- Adam Broinowski (2006), 'The Journey: Expansion and Implosion', Realtime, 75, Oct-Nov, http://www.realtimearts.net/article/issue75/8202
- Adam Broinowski (2002), ‘Avant-Garde Japanese Theatre’, Japan Foundation Quarterly Journal, Tokyo: Japan Foundation, April-June.
Projects and Grants
Grants are drawn from ARIES. To add Projects or Grants please contact your College Research Office.
- Contaminated life: 'Hibakusha' in Japan in the nuclear age (Primary Investigator)




