Dr Catherine Bowan
Kate is a cultural musicologist whose work explores the intersections between musicology and social and political history with a particular focus on transnational history. Her recent work has drawn upon music's potential to be used as a heuristic device in the telling of transnational histories, while exploring uses of music in the nineteenth and early twentieth century radical political sphere across the Anglophone world. This extends in important ways previous research on early twentieth-century Australian music which was recontextualised within the broader framework of the British World. Formal and informal networks and personal connections inform her current research interests which focus on questions of internationalism, cosmopolitanism and transnational history with reference to early twentieth-century musical modernisms and more particularly the interwar history of the International Society for International Music. Journals published in include the Journal of the Royal Music Association, Musicology Australia and Labour History Review (UK). Her article 'Between Worlds Ancient and Modern: The Musical Collaboration of Kathleen Schlesinger and Elsie Hamilton' won the International Association of Women in Music's Pauline Alderman Award for Best Article of 2013.
Kate Bowan is a Lecturer at the School of Music in the Research School of Humanities and the Arts at the Australian National University. She took up this position in 2013 after completing an ARC-funded Australian Postdoctoral Fellowship. Her research has examined aspects of early twentieth-century Australian musical modernism, drawing upon conceptual frameworks such as transnationalism and the British world. More recently, she has been working on music and radical political and reform culture in the nineteenth-century Anglophone world. She currently has a forthcoming co-authored book, Sounds of Liberty: Music, Radicalism and Reform in the Anglophone World, 1790-1914 and a forthcoming book chapter with Cambridge University Press, ‘Friendship, cosmopolitan connections and late Victorian socialist songbook culture’ in Cheap Print and Popular Song in the Nineteenth Century: A Cultural History of the Songster edited by Derek B. Scott, Patrick Spedding and Paul Watt.
Internationalism, transnationalism, cosmopolitanism and the International Society for Contemporary Music (1922-1952)
Commemoration and heritage in the 1939 London Festival of Music for the People and the musical pageants by the communist composer, Alan Bush
The Anthology of Australian Music on Disc and the Bicentennial: Art Music, Musical Monuments and Nation-Buillding
Grants are drawn from ARIES. To add Projects or Grants please contact your College Research Office.
- Sounds of Empire: Popular Politics and Music in the Nineteenth Century (Secondary Investigator)