Dr Michelle Antoinette
Areas of expertise
- Art History 190102
- Visual Cultures 190104
- Art Theory And Criticism 1901
- Curatorial And Related Studies 2102
- Museum Studies 210204
- Cultural Studies 2002
- Asian Cultural Studies 200202
- Studies Of Asian Society 169903
- Asian History 210302
- Cultural Theory 200204
- Multicultural, Intercultural And Cross Cultural Studies 200209
- Postcolonial Studies 200211
- Globalisation And Culture 200206
Research interests
Modern and Contemporary Asian Art and Museums
Southeast Asian art
Art History - Asian and Euroamerican
Asian-Australian visual art
Curatorship, Museum and Gallery Studies
Exhibiting and collecting practices
Art museum and gallery studies
Visual Culture
Cultural Studies
Asian Studies and Area Studies
Popular Culture and Cultural Studies
Colonialism and postcolonialism
Race, hybridity and Créolité
Modernity and globalisation
Migration, diaspora, transnationalism and cosmopolitanism
Memory discourse and practice
Biography
Dr Michelle Antoinette is a researcher of modern and contemporary Asian art and Australian Research Council (ARC) DECRA Fellow with the ANU Centre for Art History and Art Theory. Her current ARC research project (DE170100455) explores new public participation in Asian art and museums in Asia. She was also an ARC Postdoctoral Fellow at ANU from 2010-2013 for the ARC project, 'The Rise of New Cultural Networks in Asia in the Twenty-First Century' (DP1096041) which researched the emergence of new regional and international networks of contemporary Asian art and museums. Her previous and ongoing research focuses on the contemporary art histories of Southeast Asia on which she has published widely. Her major publications on contemporary Asian art are Reworlding Art History: Encounters with Contemporary Southeast Asian Art after 1990 (Brill | Rodopi, 2015) and as co-editor with Caroline Turner, Contemporary Asian Art and Exhibitions: Connectivities and World-making (ANU Press, 2014). She has also been Convenor and Lecturer at the ANU for courses on Asian and Pacific art and museums.
Researcher's projects
From 2017 I am carrying out research for my Australia Research Council (ARC) DECRA project "Understanding new art and museum participation in Asia". This project aims to understand new forms of public participation in Asia's arts and culture sectors. These sectors are changing in 21st century Asia, with new interest in public participation in art and museum initiatives. Through researching art-focused public participation in East and Southeast Asia, this project will seek insights into the renewed role of art in shaping public participation, cultural belonging and creativity in Asia. See the research project page for further details: http://soa.anu.edu.au/centre-art-history-art-theory/research/new-asian-art-publics
In the period 2010-2013, I carried out research as an ARC Postdoctoral Fellow for the project, "The Rise of New Cultural Networks in Asia in the Twenty-First Century." This project was carried out together with Dr Caroline Turner and examined the rise of new cultural networks in Asia in the twenty-first century, exploring cultural organisations across Asia and their networking strategies, focusing on contemporary art and art museums as key indicators of cultural change. The study included museums, exhibitions, commercial organisations, information networks, cultural diplomacy, artist
and community networks.
Publications
- Antoinette, M 2017, "The study of Asian art in Australia", International Institute for Asian Studies (IIAS), The Newsletter 76 Spring 2017, p. 15. http://iias.asia/the-newsletter/article/study-asian-art-australia ; http://iias.asia/sites/default/files/IIAS_NL76_15-2.pdf
- Antoinette, M 2017, 'Monstrous Territories, Queer Propositions: Negotiating The Asia-Pacific Triennial of Contemporary Art, between Australia, the Philippines, and Other (Island) Worlds', Asian Diasporic Visual Cultures and the Americas, vol. 3, no. 1-2 (Spring 2017), pp. 54-85.
- Antoinette, M 2017, 'The Shifting Art-Historical Field for Southeast Asia: Tradition, Modernity and "The Contemporary"', in Furuichi Yasuko (ed.), Shaping the History of Art in Southeast Asia: The Japan Foundation Asia Center Art Studies Anthology Series, Vol 3 (2017), pp.92-100 (English); pp.196-205 (Japan trans); The Japan Foundation Asia Center, Tokyo.
- Antoinette, M 2017, 'Endurance and Overcoming in the Art of Amron Omar and Melati Suryodarmo: Invoking Uncommon Alignments for Contemporary Southeast Asian Art History', Southeast of Now: Directions in Contemporary and Modern Art in Asia, vol. 1, no. 1, pp. 81-129.
- Antoinette, M 2015, Reworlding Art History: Encounters with Contemporary Southeast Asian Art after 1990, Brill Academic Publishers, Amsterdam & New York.
- Antoinette, M 2015, ''Interpreting Art Collections through the Politics of Mobility": Review of Chang, T. 2013 Travel, Collecting, and Museums of Asian Art in Nineteenth-Century Paris, Farnham, Ashgate, in Transfers: Interdisciplinary Journal of Mobility Studies (Berghahn), vol. 5, no. 1, pp. 137-138
- Antoinette, M 2015 'Owen Leong: Infinite Love, 2011', in Asia Pacific Breweries Foundation Signature Art Prize 2014 (exhibition catalogue), Singapore Art Museum, Singapore.
- Antoinette, M 2015, Khaled Sabsabi: MUSH, 2012.
- Antoinette, M & Turner C eds, 2014 Contemporary Asian Art and Exhibitions: Connectivities and World-making, ANU Press, Canberra.
- Antoinette, M 2014, "Introduction Part 2 - Asia Present and Resonant: Themes of Connectivity and World-making in Contemporary Asian Art", in Michelle Antoinette and Caroline Turner (ed.), Contemporary Asian Art and Exhibitions: Connectivities and World-making, ANU Press, Canberra, pp. 23-45.
- Antoinette, M 2014, "Epilogue - 'My Future is Not a Dream': Shifting Worlds of Contemporary Asian Art and Exhibitions", in Michelle Antoinette and Caroline Turner (ed.), Contemporary Asian Art and Exhibitions: Connectivities and World-making, ANU Press, Canberra, pp. 233-254.
- Antoinette, M 2013, 'Different Visions: Contemporary Malaysian art and exhibition in the 1990s and beyond', revised and republished in Beverly Yong & Nur Hanim Khairuddin (ed.), Narratives in Malaysian Art Volume II: Reactions - New Critical Strategies, RogueArt, Kuala Lumpur, pp. 166-185.
- Antoinette, M 2013, 'Karya dan Pameran Seni Rupa Kontemporari Malaysia pada 1990-an dan tahun-tahun berikutnya', Beverly Yong & Nur Hanim Khairuddin (ed.), Naratif Seni Rupa Malaysia Jilid 2: Reaksi - Strategi Kritikal Baru, RogueArt, Kuala Lumpur, pp. 166-185. (Revised and republished; Bahasa Malaysia trans.)
- Antoinette, M 2013, 'The Seventh Asia Pacific Triennial of Contemporary Art: Between Ephemerality and Permanence', ART AsiaPacific, no. 82 (March/April), pp. 114-115.
- Antoinette, M 2013, 'Where I'm Calling From: A Roundtable on Location and Region', Reading Room: A Journal of Art and Culture, Special Issue: 'Elected Proximities', no. 6 (2013), pp. 104-123.
- Turner, C & Antoinette, M 2013, 'Introduction: The World and World-Making in Art', Humanities Research, vol. Vol XIX., no. No.2. 2013, pp. 1-9; http://epress.anu.edu.au/titles/humanities-research-journal-series/volume-xix-no-2-2013
- Turner, C, Antoinette, M & Stanhope, Z, eds, 2013, "The World and World-Making in Art", special issue Humanities Research, vol. Vol XIX., no. No.2. 2013; http://epress.anu.edu.au/titles/humanities-research-journal-series/volume-xix-no-2-2013
- Antoinette, M 2012, Negotiating Home, History and Nation, Singapore Art Museum, pp. 37-39.
- Antoinette, M & Stanhope, Z 2012, guest editors for special section of papers for the international journal, World Art, publicising outcomes of the HRC 'World-Making in Art' conference: World Art, vol. 2, no. 2 (2012). Contributions by Michelle Antoinette & Zara Stanhope, Nusra Latif Qureshi, Jaynie Anderson.
- Antoinette, M 2012, Response to "The And: An Expanded Questionnaire on the Contemporary", Asia Art Archive Field Notes, Issue 1, Hong Kong, June 2012. http://www.aaa.org.hk/FieldNotes/Details/1167?lang=eng
- Stanhope, Z & Antoinette, M 2012, 'The World and World-Making in Art: Connectivities and Differences', World Art, vol. 2, no. 2, pp. 167-171.
- Antoinette, M 2011, 'Book Review: Asian Modernities: Chinese and Thai art compared, 1980 to 1999', Asian Studies Review, vol. 35 (Dec 2011), no. 4, pp. 544-546.
- Antoinette, M 2011, 'Reflections on an art house: Two decades of Rumah Seni Cemeti', Art Monthly Australia (AMA), no. 244 (October 2011), pp. 68-70.
- Antoinette, M 2009, 'Contending with Present Pasts: On Developing Southeast Asian Art Histories', in Jaynie Anderson (ed.), Crossing Cultures: Conflict, Migration and Convergence. Proceedings of the 32nd International Congress of the History of Art, The Miegunyah Press, Melbourne Australia, pp. 870-874.
- Antoinette, M 2009, 'The Art of Race: rethinking Malaysian identity through the art of Wong Hoy Cheong', in Daniel P.S. Goh, Mathilda Gabrielpillai, Philip Holden, Gaik Cheng Khoo (ed.), Race and Multiculturalism in Malaysia and Singapore, Routledge, Taylor & Francis Group, Milton Park, Abingdon, Oxon; New York, pp. 191-212.
- Antoinette, M 2008, 'A Space for Asian-Australian Art: Gallery 4a at The Asia-Australia Arts Centre', Journal of Australian Studies, vol. 32, no. 4, pp. 531-542.
- Antoinette, M 2008, 'Intimate Pasts Resurrected and Released: Sex, death, and faith in the art of Jose Legaspi', Biography - an interdisciplinary quarterly, vol. 31, no. 1, pp. 133-160.
- Antoinette, M 2007, 'Deterritorializing Aesthetics: International Art and its New Cosmopolitanisms, from an Indonesian Perspective', in Edwin Jurriëns & Jeroen de Kloet (ed.), Cosmopatriots: On Distant Belongings and Close Encounters, Editions Rodopi B.V., Amsterdam and New York, pp. 205-33.
- Antoinette, M 2007, '...and Malaysia?', in (ed.), Asia Art Archive, Asia Art Archive, Hong Kong, p. 1.
- Antoinette, M 2007, '"On Collecting": The 5th Asia-Pacific Triennial of Contemporary Art', Artlink, vol. 27, no. 1, pp. 97-99.
- Antoinette, M 2007, 'Outside Looking In: Impressions of Hong Kong's contemporary art scene', Eyeline, no. 64, pp. 47-51.
- Antoinette, M 2005, 'Different Visions: Contemporary Malaysian art and exhibition in the 1990s and beyond', in Caroline Turner (ed.), Art and Social Change: Contemporary Art in Asia and the Pacific, Pandanus Books, Canberra, Australia, pp. 229-252.